Monday, November 26, 2007

Interview With Steve McNair

It’s been two weeks since Steve “Fumbles” McNair “fumbled” away his starting job to Kyle Boller. Much to the satisfaction of the fans, who have enjoyed the exploits of young Kyle.

Though McNair has been pushed to the side, I had time to sit down with the forgotten quarterback in an open interview.

Me: Well hello Mr. McNair, let’s jump right into the questioning with no dilly-dallying. My first question is: are you happy with your performances this year on the Ravens?

Steve McNair: Of course I’m not. We’re not the same team we were last year. Our offense isn’t clicking and we just can’t seem to get the necessary points. The turnover column holds the grim news for us.

Me: Yea, well on the subject of turnovers. You fumbled twice against the Bengals, and continued to lead the league in fumbles. Is there any reason why you look like half a fucking retard when the football’s in your hand?

Steve McNair: Oh man, it’s hard to say, I just have had a very bad grip on the ball. I wish I had a good answer.

Me: How do you hold onto your wiener when you’re pissing, you shit head?

Steve McNair: It’s actually a funny story. I don’t hold my wiener, I just let is spin around like a fucking oscillating fan. It’s a good metaphor for how shitty a quarterback I am.

Me: The fans booed you every time you came out on the field because they wanted Boller. Wouldn’t it be just as productive to just fucking snap the football into thin air?

Steve McNair: Oh, most definitely.

Me: A few weeks ago you set the record for least yards for a quarterback who had 13 or more completions. Ever consider killing yourself?

Steve McNair: That’s not cool. [both laugh]

Me: [still laughing] Oh McNair, well thanks for your time, you pussy.

Steve McNair: Anytime, you want an autograph?

Me: Fuck no.


Super awesome, I'm gonna go stick my dick in the toaster now.

Sunday, November 25, 2007

My Flirtation With Popular Music Culture

Screw you. I like The Killers, no matter what certain segments of society think. I readily ignore the annoying throngs of teenagers obsessed over what somebody told them. I prefer looking on the Brightside. Believe me Natalie; I adore The Killers like I mean it.

That bit of unnecessary lyrical recitation behind us, let’s get down to business (to defeat the Huns). Often, popular bands/items/people suffer a backlash from their popularity; in some circles, liking what’s popular becomes itself unpopular. Being popular is unpopular. War is peace. Freedom is slavery. Ignorance is Strength. If you, for some godforsaken reason, possess the gall to enjoy the music of a popular band, you will find yourself entirely fucked.

Yes, paradoxes suck - so do three bruises on your left arm received for humming “Somebody Told Me” one too many times back in the 7th grade. I learned my lesson though - people in that “We’re too cool for the rest of American society” group have more muscle than I had previously thought. (I suppose I only believed the group weak because of my own physique)

The Killers essentially play pop rock. To many, a negative connotation accompanies the word pop. But to a person with an adequate (i.e. – not horrible) definition of the word, The Killers music is simply popular rock. It’s not bad rock – it’s not good rock – only popular rock. Of course, their first album, Hot Fuss, was admittedly not much more than a blend on a synthesizer and vocals kindly described as catchy. I wouldn’t deem the album jaw-dropping music, or even no-effect-on-the-jaw music. Musical heaven’s not close from album like this.

Nonetheless, the band had potential and it sure as hell wasn't confidential. I had braced myself for them, said “maybe”. I need to stop writing while listening to music. For some reason this paragraph has an uncanny resemblance a Killers song.

Unfortunately, my favorite songs from their debut album, “Somebody Told Me” and “Mr. Brightside”, soon became radio hits, thus rendering them worthless crap in the eyes of my little group (The “We’re too cool for the rest of American society” group). I had a decision to make - tell my friends to suck it and continue liking The Killers, or wilt in the face of the peer pressure presented by the anti-society society. Since I only had about three friends at the time, The Killers soon found themselves banished from my iPod, iTunes, and iBrain.

2006, however, brought a new beginning. The Killers produced an album, Sam’s Town, which was critically acclaimed but significantly less fawned over than Hot Fuss. Sam’s Town even garnered comparisons to Bruce Springsteen’s early work, all but assuring that Americans between the ages of 13 and 35 would never appreciate its value. I could finally sit back and listen to a band I enjoyed without worrying where I went wrong musically and lost a (the) friend. Few appreciated the complex societal messages of the title track, or the sheer awesomeness of "Read My Mind", a song Brandon Flowers called the best the band has ever written. Because of this, those songs flopped commercially relative to Hot Fuss hits. Life was good.

That is, life was good until Guitar Hero III and Rock Band simultaneously decided to put When You Were Young in their respective setlists. The dreadful result is occurring as you pretend to read this. After overexposure through those admittedly amazing games, The Killers classification will revert to pop rock. When that happens, I hope my “We’re too cool for the rest of American society” brethren forgive me. This time, I’ll ditch them. The Killers will remain on my iPod, nestled somewhere between Fall Out Boy and Nickelback. Even though they aren't so great.

I’m only kidding; Fall Out Boy is fucking awful.